James Kalm parks his bike, and slogs through a late winter blizzard to partake in the opening of this double show featuring two of contemporary paintings most exciting practitioners. Joe Bradley employs the trappings of high formalism, Minimalism and an austere vision leavened with a unique whimsy and humor, while we are presented with a chance to view some of the massive paintings that brought Chris Martin's work to the public's attention in the late eighties. The contrasting of these two sensibilities provides us a chance to witness the wide spectrum of today's painting practice.